Tickets – JOAN SHELLEY Berlin
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JOAN SHELLEY will release the self-titled follow up to her 2015 LP “Over And Even” on May 5th. It was recorded at The Loft in Chicago with JEFF TWEEDY producing and again features guitarist NATHAN SALSBURG, this time with JEFF TWEEDY, SPENCER TWEEDY and JAMES ELKINGTON accompanying SHELLEY on 11 new songs.
The stunning, self-titled fourth album from the Kentucky singer, songwriter, and guitarist JOAN SHELLEY began, surprisingly, with a fiddle.
In the summer of 2014, SHELLEY fell for “Hog of the Forsaken,” a bowed rollick at the end of Michael Hurley’s wayward folk circus, Long Journey, then nearly forty years old. Hurley’s voice, it seemed to Shelley, clung to the fiddle’s melody, dipping where it dipped and climbing where it climbed. This was a small, significant revelation, prompting the guitarist to trade temporarily six strings for four and, as she puts it, “try to play like Michael.” That is, she wanted to sing what she played, to play what she sang. She tried it, for a spell, with the fiddle.
“Turns out, I wasn’t very good at fiddle,” remembers SHELLEY, chuckling. “But I took that idea back to the guitar and tried that same method. I did it as a game to make these songs, a way to find another access point.” But that wasn’t the end of the trials.
After collaborating and touring with ace guitarist NATHAN SALSBURG for so many years, SHELLEY decided to put her entire guitar approach to the test, too. Each day, she would twist and turn into a different tuning, letting her fingers fumble along the strings until the start of a tune began to emerge. After playing the songs of her phenomenal third album, the acclaimed “Over And Even”, so many nights during so many shows, the trick pushed her hands out of her habits and into a short, productive span that yielded most of JOAN SHELLEY.
It’s fitting that the set is self-titled. These are, after all, SHELLEY’s most assured and complete thoughts to date, with lyrics as subtle and sensitive as her peerless voice and a band that offers support through restraint and nuance. In eleven songs, this is the sound of JOAN SHELLEY emerging as one of music’s most expressive emotional syndicates.
